Interview with Nitasha Dhillon and Amin Husain, MTL Collective

Natasha Dhillon (ND) and Amin Husain (AH), are MTL, a collaboration that joins research, aesthetics, organizing and action in practice discuss in conversation and through drawing Art and Research.

Transcription of the conversation:

Annabelle Boissier (AB): How did you start to work together?  How do you work with Art and Research?

AH:… Continue Reading

The Arab Nude: The Artist as Awakener (Ansar al-`ury: al-fannan al-mustanhad), University Art Galleries, AUB. March 8-August 1, 2016, curated by Kirsten Scheid and Octavian Esanu @Kirsten Scheid

The agency of art. When will we take art seriously?

Interview with Art Anthropologist and Historian Kirsten Scheid
Annabelle Boissier

 

As part of our ongoing commitment to the MENA region, we are developing an interview series with Art Historians and Curators who chose to devote their career to the promotion of Middle-Eastern and North African art. Our aim is to give… Continue Reading

Azé Kokovivina, The voodoo priest, Activation of the Kelessi Altar, Exhibition “Les maître du désordre”, Madrid, « La Caixa » Foundation, Madrid, Spain, February 7 to May 19 2013. Background: freeze frame of Joseph Beuys action: “How to Explain Pictures to a Dead Hare”, 1965. ©Bernard Müller

The fieldwork as a convivial and undisciplinary practice

Interview with Anthropologist and Dramaturg Bernard Müller

Annabelle Boissier

Bernard Müller is a researcher/lecturer in social anthropology (PhD 2000), dramaturg and scientific/cultural programme designer. He is associate member of IRIS (EHESS, Paris) and Institut für Ethnologie, Universität Leipzig (Germany). Dedicated to the cultural history of West Africa (Nigeria, Benin Republic, Togo,… Continue Reading

Paphonsak La-or, Far From Home, exhibition view at ARTIST + RUN in Bangkok, Thailand, 2017 @Thanavi Chotpradit

Living in Exile: Far From Home by Paphonsak La-or

Thanavi Chotpradit

When the French Royal Academy established a hierarchy of genres in the mid-seventeenth century based on a distinction between imitare – art that made an intellectual effort to “render visible the universal essence of things” and ritrarre – art that merely consisted of “mechanical copying of particular appearances”,… Continue Reading

Nadia Radwan on a study trip with her students, Pera Museum, Istanbul, June 2016. © Nadia Radwan.  

Egyptian artists know the art history of their country very well, it is us who do not know it!

Interview with Art Historian Nadia Radwan
Annabelle Boissier 

As part of our ongoing commitment to the MENA region, we are starting an interview series with Art Historians and Curators who chose to devote their career to the promotion Middle-Eastern and North African art. Our aim is to give their work more… Continue Reading

Image ©Erik Vlaeminck, 2017

A call to re-conceptualise international cultural relations

Culture … is that complex whole which includes knowledge, belief, art, morals, law, custom, and any other capabilities and habits acquired by man as a member of society”.
Edward Burnett Tylor (1832-1917)

Erik Vlaeminck
In his seminal definition of culture, Edward Burnett Tylor placed culture at the heart of society, and men… Continue Reading

Studio Ecole des beaux-arts, Marseille (ESAD Marseille Méditerranée) ©Justin Meekel

Theory in Art Education. The French example.

Interview with Art Sociologist Jérémie Vandenbunder

Annabelle Boissier


Following our interrogation about Art & Research interactions, we asked French sociologist, Jérémie Vandenbunder, to qualify this relation within the French educational art system. Step by step, we try to understand how institutions, and their transformations, impact how artists deal with theory. Continue Reading

Open doors at the Ecole des Beaux Arts, Atelier Alberola ©Ludmilla Barrand, Instagram @psacparis

What is Art & Research? The Bologna Process in the French debate

Annabelle Boissier
Art and research is not only a matter of free collaboration between artists and researchers. Since 2008, it’s a political, educational, bureaucratic issue in Europe. On this matter, the French debate is extensive. Is it because of the history of art education in France? Indeed, the separation that… Continue Reading

Title: Pointing. ©Rita Alaoui 2016 [Experimental Archaeology, Morocco]

Making the case: Artistic Research contributes to Development and Social Change

Blanka Konopka
What is it about the specific properties of Artistic Research that allow us to make the case for its contribution to development and social change? In the next few months, this question will form the basis of Arts Cabinet’s research focus, culminating in the publication of an extended… Continue Reading

Entre les choses, No.8. Courtesy. © Nidhal Chamekh

Art, Geography and Hermeneutics

Annabelle Boissier
Theoretical models no longer embrace contemporary issues as a whole. The first phase of Arts Cabinet’s work in the MENA region revealed that the concept of Post-colonialism, the duality between North and South or gender approach amongst others, and therefore the paradigms of modernity and post-modernity, can’t… Continue Reading